Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows that the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That's how it goes
Everybody knows
Everybody knows that the boat is leaking
Everybody knows that the captain lied
Everybody got this broken feeling
Like their father or their dog just died
Everybody talking to their pockets
Everybody wants a box of chocolates
And a long stem rose
Everybody knows
Everybody knows that you love me baby
Everybody knows that you really do
Everybody knows that you've been faithful
Ah give or take a night or two
Everybody knows you've been discreet
But there were so many people you just had to meet
Without your clothes
And everybody knows
Everybody knows, everybody knows
That's how it goes
Everybody knows
Everybody knows, everybody knows
That's how it goes
Everybody knows
And everybody knows that its now or never
Everybody knows that its me or you
And everybody knows that you live forever
Ah when you've done a line or two
Everybody knows the deal is rotten
Old black joes still pickin cotton
For your ribbons and bows
And everybody knows
And everybody knows that the plague is coming
Everybody knows that its moving fast
Everybody knows that the naked man and woman
Are just a shining artifact of the past
Everybody knows the scene is dead
But there's gonna be a meter on your bed
That will disclose
What everybody knows
And everybody knows that you're in trouble
Everybody knows what you've been through
From the bloody cross on top of Calvary
To the beach of Malibu
Everybody knows its coming apart
Take one last look at this sacred heart
Before it blows
And everybody knows
"All the Stones the Builders Rejected"
(And some days it takes more Stones than others...) Where Mythical Bestiary meets Contemporary Culture and Chews On Its Leg Until Covered with Slobber.
Commonplace Book: Quotations, January 2009
In the midst of winter, I finally learned that there was in me an invincible summer.
– Albert Camus
***
Jimmy Olsen=me. And we all have signal watches
-- unidentified comic fan, watching the inauguration
***
Friendships, like marriages, are dependent on avoiding the unforgivable.
— John D. MacDonald
***
It may dash your hopes for that nice warm feeling called Schadenfreude, but the Masters of the Universe are smarter than the people they left behind at the investment banks. Their hedge funds have blown up here and there, but unlike the investment banks, they are still very much in business. They have hurriedly pulled themselves into defensive positions inside their shells, like turtles. Their
Armageddon, if any, will not come for two more days, which is to say, Tuesday, Sept. 30. Most hedge funds open up a crack on Sept. 30, Dec. 31, March 31 and June 30 to give investors the chance to “redeem” their investments, meaning take their money out. -- Tom Wolfe
***
Bill Clinton is brooding in his hotel suite at Brown Palace Hotel, like the outcast Grendel lurking on the outskirts of the town where young Beowulf lived.
-- Maureem Dowd
***
“In this issue, Hellboy bashes in a Hillbilly Devil’s face with a consecrated shovel. Goddamn I love comic books.”
-- Chris Sims

***
"The artist is nothing without the gift, but the gift is nothing without work."
- Emile Zola
***
“One could argue that the key Al Qaeda training for 9/11 occurred not in the Taliban’s Afghanistan but in Jeb Bush’s Florida. And in terms of terrorist planning, 9/11 would have been better avoided with an occupation of Hamburg, where most of the essential plotting for the attack occurred.”-- Bartle Breese Bull, NY Times
***
“There go the people. I must follow them. I am their leader.”
-- Alexandre Ledru-Rollin, 1848
***
Depression and schizophrenia are diseases that distort reality, and cause great suffering in the process. Depression is a great liar. You are not a failure. You are not worthless. You are not unloved. You have been happy in the past, though you can’t remember it, and you will be happy in the future, though you cannot remember it.
-- Dick Cavett
***
“I think we’ve remained fixed on 1968 because it feels like where we missed our turn and went down the wrong road… And on some level, I think we blamed everything that went bad after that on those two deaths. Just before he was assassinated, Bobby Kennedy was asked when he thought the country would be ready to elect a black president. He said, “Forty years. 2008.” RFK was right on the nose. Barack Obama is not Martin Luther King, and he’s not Bobby Kennedy, but you’d have to be emotionally tone-deaf to miss the fact that he reminds boomers of both of those fallen leaders. That had to be part of the reason that this election created such elation in the population. It felt as if we were going back to that missed turn, and starting down the right road at last.
-- Bill Flanagan, CBS Sunday Morning
Unheard of Music: Yoko Kanno
Yoko Kanno with her big band in a live performance of "Tank", a sound that, without fear or favor, truly kicks ASS and TAKES NAMES. If you aren't moving around to this, I don't think I want to know you:
Yoko Kanno is a Japanese composer and leader of "The Seatbelts", a jazz band/pick up orchestra. She found the usual paths closed to her, so she made a name writing soundtracks for animation, much as Ennio Morricone elevated Westerns.

Kanno must have worked every type of jazz, funk, blues, even shamanic chants and lullabies into my favorite, Cowboy Bebop. What amazes me is how authentic it sounds, even with her goofy habit of mixing Japanese with English and sometimes Russian lyrics. If you'd told me I'd be singing along phonetically-- and feeling-- to a Japanese blues... (the title refers to Howling Wolf's first album, The Real Folk Blues)
"The Real Folk Blues" by Yoko Kanno
Aishiteta to nageku ni wa
Amari ni mo toki wa sugi te shimatta
Mada kokoro no hokorobi o
Iyasenumama kaze ga fuiteru
(It's too late to cry I love you.
The wind still blowing, my heart still aching)
Hitotsu no me de asu o mite
Hitotsu no me de kinou mitsumeteru
Kimi no ai no yurikagode
Mo ichido yasurakani nemuretara
(One side of my eyes see tomorrow,
And the other one see yesterday
I hope I could sleep in the cradle of your love, again)
Kawaita hitomi de dareka na itekure
(Somebody cry for me, with dry eyes)
The real folk blues!
Honto no kanashimi ga shiritaidake
Doro no kawa ni sukatta jinsei mo warukuwanai
Ichido kiri de owarunara
(The real folk blues:
I just want to feel real sorrow
It's not so bad a life, sitting in muddy water
If life is only lived once)
Kibou ni michita zetsuboto
Wanagashikakerareteru kono chansu
Nani ga yoku te warui no ka
Koin no omoi to kuramitaita
(Hopeless hope, every chance becomes a trap
What is right, or wrong
It's like both sides of a coin)
Dore dake ikireba iyasareru no darou
(How long I must live till I'm set free?)
The real folk blues
Honto no yorokobi ga shiritai dake
Hikaru mono no subete ga ougen to wa kagiranai
(The real folk blues
I just want to feel pleasure that's real
All that glitters is not gold)
This is a scene from the penultimate episode of Cowboy Bebop. Faye Valentine draws the outline of her childhood bedroom in the ruins of a devastated Earth. Radical Edward, the child savant known as "Ed" leaves the ship, alone-- and Ein, a genetically enhanced, hyper-intelligent corgi, decides that Ed needs him more than the others do.
Here she tries her hand at ska, "Bad Dog No Biscuit":
Or fooling around with standards on solo piano ("How Long Has This Been Going On" at the beginning and "Rhapsody in Blue" at the end and I don't know what in the middle):
One more favorite: wringing emotion out of techno music on "Inner Universe", with lyrics in Russian, English and Latin for Ghost in the Shell.
I didn't even know techno could contain so much emotion. I love this woman.
Yoko Kanno is a Japanese composer and leader of "The Seatbelts", a jazz band/pick up orchestra. She found the usual paths closed to her, so she made a name writing soundtracks for animation, much as Ennio Morricone elevated Westerns.

Kanno must have worked every type of jazz, funk, blues, even shamanic chants and lullabies into my favorite, Cowboy Bebop. What amazes me is how authentic it sounds, even with her goofy habit of mixing Japanese with English and sometimes Russian lyrics. If you'd told me I'd be singing along phonetically-- and feeling-- to a Japanese blues... (the title refers to Howling Wolf's first album, The Real Folk Blues)
"The Real Folk Blues" by Yoko Kanno
Aishiteta to nageku ni wa
Amari ni mo toki wa sugi te shimatta
Mada kokoro no hokorobi o
Iyasenumama kaze ga fuiteru
(It's too late to cry I love you.
The wind still blowing, my heart still aching)
Hitotsu no me de asu o mite
Hitotsu no me de kinou mitsumeteru
Kimi no ai no yurikagode
Mo ichido yasurakani nemuretara
(One side of my eyes see tomorrow,
And the other one see yesterday
I hope I could sleep in the cradle of your love, again)
Kawaita hitomi de dareka na itekure
(Somebody cry for me, with dry eyes)
The real folk blues!
Honto no kanashimi ga shiritaidake
Doro no kawa ni sukatta jinsei mo warukuwanai
Ichido kiri de owarunara
(The real folk blues:
I just want to feel real sorrow
It's not so bad a life, sitting in muddy water
If life is only lived once)
Kibou ni michita zetsuboto
Wanagashikakerareteru kono chansu
Nani ga yoku te warui no ka
Koin no omoi to kuramitaita
(Hopeless hope, every chance becomes a trap
What is right, or wrong
It's like both sides of a coin)
Dore dake ikireba iyasareru no darou
(How long I must live till I'm set free?)
The real folk blues
Honto no yorokobi ga shiritai dake
Hikaru mono no subete ga ougen to wa kagiranai
(The real folk blues
I just want to feel pleasure that's real
All that glitters is not gold)
This is a scene from the penultimate episode of Cowboy Bebop. Faye Valentine draws the outline of her childhood bedroom in the ruins of a devastated Earth. Radical Edward, the child savant known as "Ed" leaves the ship, alone-- and Ein, a genetically enhanced, hyper-intelligent corgi, decides that Ed needs him more than the others do.
Here she tries her hand at ska, "Bad Dog No Biscuit":
Or fooling around with standards on solo piano ("How Long Has This Been Going On" at the beginning and "Rhapsody in Blue" at the end and I don't know what in the middle):
One more favorite: wringing emotion out of techno music on "Inner Universe", with lyrics in Russian, English and Latin for Ghost in the Shell.
I didn't even know techno could contain so much emotion. I love this woman.
Follow the Shoe: Will Bush Ever Stand Trial in the People's Court?

Is anyone else worried about what's happened to Muntadhar al-Zaidi, the shoe-throwing journalist still in "detention" in Iraq? This is, after all, the land where habeas corpus went to die, and no one's seen or heard from him other than second-hand reports from his brother in the week before Christmas. We don't really know what "detention" means to the people holding the keys. We don't know if he "tripped and fell down the stairs" or if his arm really was broken in the arrest. The New York Times itself can't make up it's mind whether he's been tortured by the cops or handled with kid gloves because the Whole World is Watching.
Funny how a government that can't keep the electricity running found a definition for his crime with record efficiency: "aggression against a foreign head of state during an official visit... an offense that carries a prison term of between five and 15 years under Iraqi law, for throwing his shoes at Bush on December 14."
His lawyers might make a case for diminished capacity, PTSD, (Al-Zaidi has been covering the widows and orphans of Iraq, been kidnapped once and arrested twice) but that would erase the meaning of al-Zaidi's quixotic gesture, like that killer last line of Mark Twain's "The War Prayer": "It was believed afterward that the man was a lunatic, because there was no sense in what he said." What I'm hoping for is five years minus time served, compensation if he has indeed been abused while in detention-- and a guarantee of a free pair of custom-made shoes for life. If he ever visits Kalamazoo, his money's no good here. This heartfelt anger was political theater that turned the propaganda of professionals, their jet planes and "Mission Accomplished" signs, into tinkling brass.
I love the man. "This is a farewell kiss from the Iraqi people, you dog! This is for the widows and orphans and all those killed in Iraq!" What most commentators have missed is that technology has made our leaders as remote from any consequence of their actions as any ancient autocrat. Somebody (I thought it was Bertrand Russell, but I can't find the quote) said of Khruschev and Kennedy during the Cuban missile crisis: "If they say 'live', we shall live; if they say 'die', we shall die." This is an unhappy thought for a culture that can grant an utter fool the power of a god, and puts our entire species at the whim of distant torturers. Predator planes, satellite spies, the NSA's erosion of privacy and the Army's research into robot soldiers are become so commonplace that this power to murder and ruin is now in a hundred hands instead of a few. Who would begrudge a man who has seen too many dead children the throwing of a shoe?
"Now the movements of nations have become like a huge slow solemn dance of the elephants, random power swaying in unpredictable directions, their movements obscured by a stifling rain of paper, pastel forms in octuplicate, programmed tapes, punch cards. Through this low rain, in the shadowy patterns of the dance, scurry a half a billion bureaucrats, each squealing self-important orders. Beneath the wrinkled gray legs, ten thousand generals squat, playing with their war game toys. The billions of mankind sit in the huge gloomy reaches of the stands, staring without comprehension... and because tension and waiting can only be sustained so long, they can make their own little games and charades in the stands, the charades of art, sex, money, power and random murder."
-- John D. MacDonald, A Deadly Shade of Gold.
Mr. al-Zaidi appears to have been a gentle soul who specialized in human interest stories about widows and orphans. The popinjay he targeted is responsible for three times as many innocent deaths as were killed on 9/11, spent money that would make a Nero or Caligula blush-- and still professes not to know what the fuss was about. That he is insulated from shame is no surprise; I've never seen a crime that a Bush couldn't wriggle out from under, from banking for Nazis to drug running by the Contras to... Good luck pinning one down with the sword of Justice; they must be covered in protective slime like a catfish.

Will there, should there be, a commission to investigate crimes committed by the Bush administration? President Obama is playing his cards close to the chest, and too many members of Congress are guilty of aiding and abetting. You won't see an American standing trial in the Hague as long as Kissinger's still alive, but an independent "truth commission", like the ones in South Africa, might be nice.
When frothing near the ceiling about seeing the whole crew in leg irons, I have to keep reminding my friends that incompetence isn't punishable by law. They remind me that George Bush left so many fires burning in his wake, it could be years before anyone got around to pursuing the firebug. This in itself is a kind of brilliance, like those beasts that escape their pursuers by defecating. Someday, perhaps, with the wheels of Justice grinding very slow, but exceedingly small.
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