Showing posts with label Arthurian. Show all posts
Showing posts with label Arthurian. Show all posts

My Political Manifesto , or, "Lookit the Nut Wit' Da Sign!"


The BBC is talking about the death at age 91 of Helen Gavronsky Suzman, apparently the best known Caucasian anti-apartheid activist in South Africa. I've never heard of her before this, but something she said in a recording struck me as so simple and profound that I'd like to attach it to any description of my politics.

It's weird that Americans don't have "politics" the way Europeans do; there's even a bestseller making the rounds about how we vote with our gut and not with our heads. (The thought that our stomachs have a brain almost as powerful as our cerebrum is a scary thought I'll save for a science-fiction story). This is what happens in a culture when schools function as employment agencies for coaches, and you let them teach civics and history as a seat-warming exercise-- before you scoff, I knew at least one high-school librarian who spent his day drawing up football plays.

I was complimented by a French Swiss once and I had to tell him that I really wasn't that smart, but just had the habit (unusual for an American, apparently) of thinking about why I believe what I believe.


Before this, I've been content with Brendan Behan's summary, that I first read at a bar in Chicago: "I have a total irreverence for anything connected with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and old women warmer in the winter and happier in the summer." This sums up the goals of good government, and implies the need to build a lasting peace (which, despite the chest thumping of warriors, will always be harder to build than war. Emotionally and materially cheaper in the long run, though.)

But there was something missing, that kept this from being a complete political manifesto, at least for me. Behan's phrase tells us what to build, and leaves policy up to us, but doesn't deal with the Problem of Evil, the killer ape within, what Jungians call the Shadow (and for once, I'm not talking about Lamont Cranston). This is the oversight that collapses philosophical anarchism (what do we do with those who won't co-exist peacefully?). James Madison addressed the problem in The Federalist Papers: "If men were angels, no government would be necessary." Our refusal to acknowledge the shadow killed the Sixties just as dead as CIA-sponsored drugs-- the Summer of Love was stabbed to death at Altamont, chopped into pieces by the Manson family, and shoved in a trunk by the Unicorn Killer. What, then, must we do?

I look through my other rule books: Camus, Confucius, Orwell and Paolo Friere, and re-read the political attitudes etched in my bones, in The Once and Future King, Travis McGee and the superheroes, Pogo and Heinlein and Hannah Arendt, Angel and "Rumpole of the Bailey". All these things have shaped my thinking, help me define my moral compass (buy me a Guinness and I'll go on for hours), but there's no simple phase that can fit on a sign and still be understood out of context. Even Travis McGee admits that his own manifesto, a banner embroidered by countless maidens, keeps trailing on the ground and getting stepped on.

Suzman to the rescue this morning, one last note of a grace from a woman I never heard of. Here, then, is the Helen Suzman amendment to the Brendan Behan manifesto. It was a simple answer (with profound implications) to the question of what started her on her long road :

"I hate bullies and I like simple justice."

The Grail




The Redwings won the Stanley Cup Wednesday night. This is the original cup, bought for $50 in 1892, with rings added for additional names. It's been punted into a canal, carried up mountains, left on the side of the road after changing a flat, visited home towns in Russia and been taken into the shower with Steve Yzerman and his wife. Babies have been christened in it. People are reluctant to touch it unless they've actually won it.

This is still an Arthurian game, played for a grail by helmeted knights, each with his own personality. Maybe the freeform nature of the game, unlike the ritual of baseball or the military infrastructure of football, allows more individual character to show through. There are good guys and bad guys, goons that play classical piano, ballet dancers of impossible grace and a shot like a bullet, character guys, actors who take a dive and check for blood, even professional "agitators" like Pat Verbeek, the "Little Ball of Hate", or Sean Avery, who used to be our guy in Detroit but has come into his own bringing life to New York hockey. I'm happy for him, actually; Avery was one of many great players in Detroit, but in the dismal swamp of New York hockey, he stands out more.

Like all proper Arthurian stories, hockey has noblity too. Great souls combined with great skills that never give up, gentle in victory, unyielding in defeat, the kind of guys that make a shot as they're falling down without a thought about catching themselves. These are natural aristocrats, like Yzerman and Gretsky and "The Little Professor", Igor Larionov, that even goons and clowns respect.

Pavel Datsyuk is one of these, my favorite of the young players who have replaced the generation of Steve Yzerman and the Russians, is here embraced by Scotty Bowman, the retired coach of the Redwings and still their scout. Datsyuk has also won the Lady Byng trophy for "the best type of sportsmanship and gentlemanly conduct combined with a high standard of playing ability'' two years in a row, and is in the running for the prize again this year.

WORDS the HEDGE-PIG SANG


“He’m verminous,” the hedgehog explained regretfully, “but he’m honest.” The little hedgehog, toiling from tussock to tussock, fell into the marshy puddles with grunts, panted as he struggled with the miniature cliffs. The weary King Arthur gave him a hand at the worst places, hoisting him to a better foothold or giving him a shove behind, noticing how pathetic and defenseless his bare legs looked from behind. When they had reached the top, he sat down puffing, and the old man sat beside him to admire the view...

Arthur saw suddenly all the people who had accepted sacrifice: learned men who had starved for truth, poets who had refused to compound in order to achieve success, parents who had swallowed their own love in order to let their children live, doctors and holy men who had died to help, millions of crusaders, generally stupid, who had been butchered for their stupidity—but who had meant well. They might be stupid, ferocious, unpolitical, almost hopeless. But here and there, oh so seldom, oh so rare, oh so glorious, there were those who would face the rack, the executioner, and even utter extinction, in the cause of something greater than themselves. Truth, that strange thing, that jest of Pilate’s...

The hedgehog asked, “Shire? Dost tha mind as how us used to sing for un?”

“I minds un well,” said Arthur. “’Twas ‘Rustic Bridge’, and ‘Genevieve' and ‘Home Sweet Home’.”

“Maggie’s Tea,” the hedgehog mentioned shyly, “us gotter fresh un. Twas for thy welcome, like. Us learned it off that there Mearn.” The hedgehog stood in the moonlight, assuming the position for song. And there, upon the height of England, in a good pronunciation because he had learned it carefully from Merlyn, with his sword of twigs in on grey hand and a chariot of mouldy leaves, the hedgehog stood to build Jerusalem, and meant it:

"Bring me my bow of burning gold:
Bring me my arrows of desire:
Bring me my spear: O clouds unfold!
Bring me my chariot of fire.
I will not cease from mental strife,
Nor shall my sword sleep in my hand
Till we have built Jerusalem
In England's green and pleasant land."

-- T.H. White, “The Once and Future King” (The Book of Merlyn)